Two philosophers and prominent public figures explore the spiritual and cultural framework within which Russia's crisis and prospects for social renewal must be understood. Their discussion ranges over several main areas of concern in Russia today: the nature of the person and her capacities as social actor, the forms of sociality Russia has known as seen against the background of Orthodoxy and Communism, and Russia's tragedy during the seventy-five years of Communism. A third path is envisaged for Russian renewal based (...) on geopolitical, cultural, and spiritual constants in the history of the nation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:AfterimagesSvetlana Boym’s Irrepressible CocreationsCristina Vatulescu (bio)[End Page 98]To most people Svetlana Boym was known as a writer: a prolific writer of books marked by originality, insight, and irreverence for intellectual pieties, no matter how fashionable. The media artist side of her that diacritics presents in this issue was chronologically last of her artistic personas. A whole string of these bifurcated the bio blurbs at the end of Svetlana’s monographs. (...) In the first, Death in Quotation Marks (1991), she introduced herself as a playwright and assistant professor of comparative literature at Harvard University. In the second, Common Places: Mythologies of Everyday Life in Russia (1994), she was also a writer and filmmaker. In her third, most well-known monograph, The Future of Nostalgia (2001), she was again a writer, and this time, full professor at Harvard, but also, as the back cover blurb reminds us, “a native of St. Petersburg who lives in Cambridge, Massachusetts.” “Native” was a word she would have pronounced with an accentuated accent and that she wore as a mask, as another persona. For the record, she did not just write monographs. There is also a novel, Ninochka (2003), that she rewarded herself with writing after receiving tenure at Harvard. After she became a novelist, she also collaborated on a book on Kosmos, the Russian space project and the photographs of its ruins.1 (“Jacob,” her then research assistant recalls her saying one day, “go to the library and find me all the good books on Kosmos.”)2 Her creativity was hard to contain and performative—the whole world was her stage—thus all her authorial and artistic personas. It is just at the end of Another Freedom (2010), her last monograph, that she introduced herself to readers as a media artist.Svetlana’s biographies were not accidental inconsistencies but sustained exercises in self-fashioning, and lately, she told me during our last conversation, self-editing. “There are writers with biographies and writers without biographies,” she often quoted Boris Tomashevsky’s quip as an intriguing prelude to her influential critique of “the death of the author.”3 She launched that critique as the polemic of her dissertation (overseen by Barbara Johnson and formalist scholar Jurij Striedter) in the 1980s, when “the death of the author” had congealed into critical dogma. In the ensuing book, Death in Quotation Marks, she explored the mythologies of the modern poet and critic, including his/her figurative and literal deaths, arguing that the “relationship between texts and life remains a vitally critical issue.”4 She pioneered then her signature critical genre, a writing that would “allow for the incorporation and superimposition of ethical, historical, biographical, and textual issues.”5 At the same time, the book already contains, smuggled inside academic prose, fragments that presage her much later artist’s manifestoes and practices:I wish to preserve the difference between text and life and to avoid subjugating one to the other. In order to open and explore this space of difference we have to trace the ways in which the artistic constructs can, on the one hand, form and inform ordinary experiences and, on the other hand, be deformed and defied by them. This double movement invites us to see literariness or a creative aesthetic impulse in everyday life and to liberate these aesthetic experiences from the confines of “literature” and literary institutions. At the same time, it helps us to deaestheticize literature somewhat and defamiliarize again the violence, pain, and love that it contains.6 [End Page 99]So it is fitting to consider Svetlana’s art in relation to her writing and to her biographies, her crafted fashioning and editing of herself. Far from any sort Gesamtkunstwerk—a concept she detested, these were cocreations, whose contingent coexistence inspired thoughts on difference and a heightened sensitivity to the beauty of cracks, hinges, border lines, and transit zones.Cocreation was a concept she developed and lived for many years; she theorized it at length in her last book, equating it with freedom.7 Among her cocreators were the people around her as well as thinkers, artists, and philosophers with whom she engaged passionately. For her digital art... (shrink)

Throughout his life, Jurij Lotman lived at the crossroad between different worlds, ages, and cultures. The many authors, cultures, and ideas that shaped his thought and influenced his theories are scattered at either side of countless geographical, political, and cultural borders, beginning with the one that separates “Russian culture” from “European culture,” porous and ambiguous as any boundary.The task of reconstructing how Lotman’s ideas came to being, how they shifted their meaning as their context shifted, is more and more (...) a crucial task not only for the historian. Many Lotmanian concepts, first and foremost that of semiosphere, are acquiring major relevance not only for semiotics itself and its branches, such as the rising political semiotics, but also for many neighboring disciplines, such as cultural studies and political sciences. Therefore, gaining a better understanding of the meaning of Lotman’s ideas could be of value also for the applied semiotician or the political analyst.The present paper is the result of research started in the Lotman Archives in Tallin, Estonia. Through an analysis of archival material, it aims at reconstructing the origins and meaning of the most political tropes of Lotman’s theories, especially what I will call his theory of the political subject. In the first part, I will argue that, in order to understand this political aspect of Lotman, it is necessary to take into consideration the intellectual debates inside which the author started his intellectual journey in 1930s–1940s Soviet Russia, and how he sought answers to those debates in the works of G. W. Leibniz.In the final part of the paper, I will try to show how this reconstruction of Lotman’s history could contribute to the contemporary debate in semiotics and other connected disciplines. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Belief and Context Determinacy in Interpreting FictionChristine Richards (bio)1Context Determinacy and the Interpretation of FictionThe Pragmatics of ReadingThe basic pragmatic structure of the reading of fiction has been described as a communicative context which has a speaker who performs the speech acts represented by the text and a hearer (addressee) to whom the speech acts are directed [Adams 12]. This model is based on the assumption that the reader (...) and the writer share not only a common language but a common context, which clearly presents problems for readers of fiction, where generic conventions as well as other cultural conventions of writing, such as satire and irony, or the separation of writers and readers by time, have to be contended with. The code model, which assumes that the writer and the reader share a common context, can be represented as shown in figure 1. Click for larger view View full resolutionFigure 1.W = writer, S = speaker, H = hearer, R = reader.However, it has also been argued [Eco, Role of the Reader 40; Eco, Semiotics 69; Richards 262] that no theory of a text is possible without a theory of contexts, since texts are processed and given meaning by a synthesis of propositions in them with those which originate in readers’ supplied contexts; and since the contexts of readers consist, first and foremost, of their background knowledge, beliefs, and culture, which are fundamentally interrelated, interpretation is inevitably determined by extralinguistic as well as linguistic factors. The context model might be represented as shown in figure 2. Click for larger view View full resolutionFigure 2.W = writer, N = narrator, R = reader.[End Page 81]The Extralinguistic ContextA good example of the role played by extralinguistic contexts in the interpretation of a text is to be found in the multiple interpretations of the sentence “The red sun was pasted in the sky like a wafer,” from Stephen Crane’s The Red Badge of Courage [64]. Susan Horton, in her discussion of accounts of this sentence [10–14], shows both how R. W. Stallman interprets Crane’s antiwar fiction as a Christian allegory where the word “wafer” functions as a symbol of the Eucharist [130], and how Marston La France rejects Stallman’s interpretation on the basis that Crane is not a Christian, and certainly not a Catholic [99–100]. La France’s rejection of Stallman’s Christian context for atheism is rooted in his interpretation of the sun as a repeated image in the co-text, which he believes signifies nature’s indifference to death, war and heroism. Here the lexemes “pasted” and “wafer” become images of a seal at the end of a legal document, implying the finality of death in war. Milne Holton interprets the image of the sun as a characteristic of the symbolic imagination of the character Henry Fleming rather than of the writer (Crane) [90–91].Horton documents but does not theorize the determining features of these contexts, but this problem can be tackled by applying Marcello Pagnini’s theory of “the introjection of the referent” [9] to explain how the contextual semes of readers, determined by different cultural systems, are introjected into texts. Following Jurij M. Lotman’s typology of cultural systems [Lotman and Uspenskij], Pagnini cites as relevant systems ethics, ideology, history, philosophy, myth, the law, anthropology, politics, ethnicity, literature, aesthetics, psychology, rhetoric and symbolism [34], which represent fundamentally interrelated complexes of systems that make up societies. If Pagnini’s model is taken with that of Richards [267], which conceives of interpretation as a synthesis of propositional inferences in texts with those drawn from readers’ contexts, these two models provide a methodological basis for explaining how the contexts of Stallman’s and La France’s conflicting interpretations derive from philosophically opposed belief systems within culture—Christianity and atheism. These models also help to explain Holton’s interpretation as one located within a different philosophical context, that of the convention of character analysis in fiction, which during the last few decades has developed into the more theoretically sophisticated field of narratology. It should be stressed, however, that interpretations themselves always take place within historical and interactive frameworks, which are influenced... (shrink)

This volume is based to a large extent on the understanding of biosemiotic literary criticism as a semiotic-model-making enterprise. For Jurij Lotman and Thomas A. Sebeok, “nature writing is essentially a model of the relationship between humans and nature” ; biosemiotic literary criticism, itself a form of nature writing and thus itself an ecological-niche-making enterprise, will be considered to be a model of modeling, a model of nature naturing. Modes and models of analysis drawn from Thomas A. Sebeok and (...) Marcel Danesi’s Forms of Meaning: Modeling Systems Theory and Semiotic Analysis as well as from Timo Maran’s work on “modeling the environment in literature,” Edwina Taborsky’s writing on Peircean semiosis, and, of course, Jesper Hoffmeyer’s formative work in biosemiotics are among the most important organizing elements for this volume. (shrink)

Richard Janko's acclaimed translation of Aristotle's _Poetics_ is accompanied by the most comprehensive commentary available in English that does not presume knowledge of the original Greek. Two other unique features are Janko's translations with notes of both the _Tractatus Coislinianus_, which is argued to be a summary of the lost second book of the Poetics, and fragments of Aristotle’s dialogue On Poets, including recently discovered texts about catharsis, which appear in English for the first time.

Classical Sanskrit commentary on Brahmasūtra; includes original Sanskrit text with English translation.

The article discusses two bioart projects that bring the symbolically core human substances of blood, sweat and tears into technologically mediated relationships with plants and fungi to explore human kinship with other species: Tarah Rhoda’s BS&T (short for ‘blood, sweat and tears’) and OurGlass, and Saša Spačal’s MycoMythologies: Patterning. The article analyses the art projects through the lens of the molecular gaze and different perspectives on kinning, bringing anthropological conceptualizations of kinship together with Haraway’s pathways to connect with other species. (...) How can bioart use technologies to explore interspecies kinship through a molecular gaze? And may such artworks contribute to the toning down of human exceptionality in the face of a precarious future? We find that artworks providing a molecular gaze on interspecies biological processes may risk a decontextualized approach to complex relational processes but may also create new visions of filiation even with biological organisms imagined to be genetically distant from humans, thus spurring awareness of the fragile interrelationships among species. (shrink)

Spinoza's Doctrine of God in Relation to His Conception of Causality TM Forsyth T, he truest vision ever had of God came, perhaps, here. ...

Introduction:To meet and take care of people with dementia implicate professional and moral challenges for caregivers. Using force happens daily. However, staff also encounter challenges with the management in the units. Managing the caretaking function is also significant in how caretakers experience working in dementia care.Purpose:The purpose of this study is to explore the caregiver’s experiences with ethical challenges in dementia care settings and the significance of professional leadership in this context.Method:The design is qualitative, and data appear through narrative interviews. (...) A total of 23 caretakers participated in the study. The transcribed interviews were subjected to a phenomenological-hermeneutical interpretation.Ethical considerations:The respondents signed an informed consent for participation prior to the interviews. They were assured anonymity and confidentiality in the publication of the data. Ricoeur’s method for interpretation ensures anonymity as the researcher relates to the data as one collective text. The study is part of a larger research project in ethics, in its entirety approved in line with the Helsinki Convention.Results:The findings show that the caretakers experienced inadequacy. Some of them described a negative work atmosphere where they experienced that their leaders did not take them seriously. Because of this, informal negative sub-groups functioned as an exclusive debriefing arena. Some of the informants described the opposite experience where the leaders actively supported them.Discussion:The analyses of the findings are discussed in light of the concepts of trust and mistrust in leadership.Conclusion:There is a correlation between the leadership and the caregivers’ experience of being in difficult situations. (shrink)

Rawls offers three arguments for the priority of liberty in Theory, two of which share a common error: the belief that once we have shown the instrumental value of the basic liberties for some essential purpose (e.g., securing self-respect), we have automatically shown the reason for their lexical priority. The third argument, however, does not share this error and can be reconstructed along Kantian lines: beginning with the Kantian conception of autonomy endorsed by Rawls in section 40 of Theory, we (...) can explain our highest-order interest in rationality, justify the lexical priority of all basic liberties, and reinterpret Rawls’ threshold condition for the application of the priority of liberty. Perhaps unsurprisingly, this Kantian reconstruction will not work within the radically different framework of Political Liberalism. (shrink)

The Principles of Biomedical Ethics by Beauchamp and Childress is a classic in the field of medical ethics. The first edition was published in 1979 and “unleashed” the four principles of respect for autonomy, non-maleficence, beneficence, and justice on the newly emerging field. These principles were argued to be mid-level principles mediating between high-level moral theory and low-level common morality, and they immediately became very popular in writings about medical ethics. Over the years Beauchamp and Childress have developed this approach (...) and vigorously defended it against the various criticisms that have been raised. The 5th edition of this book is, as all the …. (shrink)

Theologians are split into two groups: those who embrace prosperity theology and those who oppose it; both sides on scriptural grounds. Those criticising it embrace cessationism in its diversity, while its supporters are mainly found among Pentecostals and Charismatics, who are continuationists. Continuationists believe and teach that all gifts of the Spirit are still available to the church today, therefore should be practised by the church just as they were operative during the apostolic era. Therefore, it is clear that prosperity (...) preachers are continuationists. They believe and practice healing and miracle gifts today. A review of the literature, biblical texts, historical teachings, and Pentecostal and Neo-Pentecostal (also referred to as charismatic and neo-charismatic) form the basis of this article. It addresses the positive features of prosperity teachers’ beliefs and methods as well as how they exploit the dreams, fears, and aspirations of people living in poverty. The theology of sharing, as articulated by Nicholas B.H. Bhengu, is proposed as a solution to creating parity between the rich and the poor.Contribution: This article seeks to balance opposing theological approaches with the prosperity gospel. It does this by introducing a theology of sharing as taught by Nicholas Bhengu based on the philosophy of Ubuntu, a way of life among African people. The challenge for theologians on both sides of the argument is finding a way to accommodate the other side’s contributions. (shrink)

In the twentieth century, certain locations, symbols, and ritual practices along the Italian- Slovenian border were subject to various social and cultural representations. During that century, they primarily represented a subject of disagreement between both ethnic communities; however, in the last ten years, some groups and local authorities have been seeking opportunities to live together in coexistence.

Analyzes the origin, structure and resolution of Kant's antinomies of reason from a systematic rather than a historical perspective, exploring the relationship between the theoretical antinomies and the practical antinomy in order to indicate their similarities and differences and to suggest the dependence of the latter on the former.

Critical edition of Sanskrit text on Jaina epistemology; Sanskrit text with Hindi translation.

The book and its title -- Averroes' life and works -- The meaning of Averroes' work -- Being and language in the Decisive Treatise -- A sociology of language -- Averroes, the double truth and his heritage -- The Decisive Treatise on the connection between Islamic religious law and philosophy.